http://museartanddesign.com EQUIP | INFORM | INSPIRE Wed, 28 Dec 2011 19:54:00 +0000 hourly 1 http://wordpress.org/?v=3.3.1 http://museartanddesign.com/news/#comment-120 Creative Process – Intuitive Art Making with Bridget Benton Wed, 28 Dec 2011 19:54:00 +0000 http://museartanddesign.com/wordpress/?page_id=8#comment-120 [...] No fee for the workshop, but space is limited. Please reserve your space in advance by signing up at the counter, calling 503.719.4038, or registering online here: [link] [...] [...] No fee for the workshop, but space is limited. Please reserve your space in advance by signing up at the counter, calling 503.719.4038, or registering online here: [link] [...]

]]> http://museartanddesign.com/2011/03/paper-what-is-vellum/#comment-119 8 Ways to Use Vellum | EcTutorial - An Easy Way To Learn Anything Online Sun, 20 Nov 2011 20:19:56 +0000 http://museartanddesign.com/?p=664#comment-119 [...] http://museartanddesign.com/2011/03/paper-what-is-vellum/ – research source [...] [...] http://museartanddesign.com/2011/03/paper-what-is-vellum/ – research source [...]

]]> http://museartanddesign.com/2011/03/paper-what-is-vellum/#comment-115 8 Ways to Use Vellum | howtow | How to What? Sat, 12 Nov 2011 18:01:01 +0000 http://museartanddesign.com/?p=664#comment-115 [...] http://museartanddesign.com/2011/03/paper-what-is-vellum/ – research source [...] [...] http://museartanddesign.com/2011/03/paper-what-is-vellum/ – research source [...]

]]> http://museartanddesign.com/supplies/painting/#comment-27 Sunday, 4/17/11: Thérèse Murdza | An Artist A Day : Blog Sat, 23 Apr 2011 20:18:51 +0000 http://museartanddesign.com/wordpress/#comment-27 [...] skill was quickly made apparent in our conversation: her knowledge of materials is considerable. “Golden acrylic paints have a high pigment load, which is why I water down the paints so much,” she says on the [...] [...] skill was quickly made apparent in our conversation: her knowledge of materials is considerable. “Golden acrylic paints have a high pigment load, which is why I water down the paints so much,” she says on the [...]

]]> http://museartanddesign.com/supplies/painting/#comment-21 Wednesday. 4/6/11: Christopher B. Mooney | An Artist A Day : Blog Thu, 07 Apr 2011 15:47:13 +0000 http://museartanddesign.com/wordpress/#comment-21 [...] who popped in to Muse while Mooney began painting. He is using many of M. Graham’s oil paints in his palette. He begins with unbleached titanium (from the Harding oil line) for the flesh tones [...] [...] who popped in to Muse while Mooney began painting. He is using many of M. Graham’s oil paints in his palette. He begins with unbleached titanium (from the Harding oil line) for the flesh tones [...]

]]> http://museartanddesign.com/2011/03/watercolor-paper-surfaces/#comment-20 Tuesday, 4/5/11: Tara Choate | An Artist A Day : Blog Wed, 06 Apr 2011 04:14:42 +0000 http://museartanddesign.com/wordpress/?p=262#comment-20 [...] of her painting, she mixed her paints with water and poured them directly onto the paper (140lb cold pressed watercolor paper).  She picked up the paper and tilted it from side to side to make the colors flow across the [...] [...] of her painting, she mixed her paints with water and poured them directly onto the paper (140lb cold pressed watercolor paper).  She picked up the paper and tilted it from side to side to make the colors flow across the [...]

]]> http://museartanddesign.com/supplies/painting/#comment-18 Monday, 4/4/11: Kimberly Kent | An Artist A Day : Blog Tue, 05 Apr 2011 05:30:14 +0000 http://museartanddesign.com/wordpress/#comment-18 [...] art  is painting or sculpting with heated wax. Encaustic painting uses using wax mixed with pigments as paint. Kimberly Kent is an encaustic painter; she has 15 [...] [...] art  is painting or sculpting with heated wax. Encaustic painting uses using wax mixed with pigments as paint. Kimberly Kent is an encaustic painter; she has 15 [...]

]]> http://museartanddesign.com/supplies/painting/#comment-17 Friday, 4/1/11: Manuela Kalestiantz | An Artist A Day : Blog Sun, 03 Apr 2011 04:47:53 +0000 http://museartanddesign.com/wordpress/#comment-17 [...] artist, Manuela Kalestiantz, created an encaustic piece, primarily using carved relief rather than painted color to build and define her composition. [...] [...] artist, Manuela Kalestiantz, created an encaustic piece, primarily using carved relief rather than painted color to build and define her composition. [...]

]]> http://museartanddesign.com/2011/03/erasers-kneaded-erasers/#comment-16 Saturday, 4/2/11: James Franssen | An Artist A Day : Blog Sun, 03 Apr 2011 04:43:54 +0000 http://museartanddesign.com/wordpress/?p=277#comment-16 [...] the outline and major highlight spots. He uses a soft charcoal pencil with a smudge stick and a kneaded eraser to achieve the varying shades that occur in real life. The charcoal is layered up and taken away [...] [...] the outline and major highlight spots. He uses a soft charcoal pencil with a smudge stick and a kneaded eraser to achieve the varying shades that occur in real life. The charcoal is layered up and taken away [...]

]]> http://museartanddesign.com/2011/03/paper-what-is-vellum/#comment-15 Saturday, 4/2/11: James Franssen | An Artist A Day : Blog Sun, 03 Apr 2011 04:42:45 +0000 http://museartanddesign.com/?p=664#comment-15 [...] realistic portraits of people and animals. He starts by projecting the image onto his paper (vellum-surface bristol) and sketches the outline and major highlight spots. He uses a soft charcoal pencil with a smudge [...] [...] realistic portraits of people and animals. He starts by projecting the image onto his paper (vellum-surface bristol) and sketches the outline and major highlight spots. He uses a soft charcoal pencil with a smudge [...]

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